The new album, produced by Sturgill Simpson, commits her sky-high and scorching rock-and-roll show to record for the very first time. Whether she’s singing of motherhood or the mythologies of stardom, Nashville gentrification or the national healthcare crisis, relationships or growing pains, she’s crafted a collection of music that invites people to listen closer than ever before.
Written over the course of a decade in which the Athens, Georgia-based duo was primarily known for their own respective projects, the songs here represent something of a look behind the curtain, a captivating series of musical journal entries that reveal the evolution of a relationship in all its messy, honest, imperfect beauty.
The fourth album by Nashville-based self-described “sunshine pop” band. This twelve-song-set is their boldest work to date, breaking sonic barriers while maintaining lush melodies and artistic influences. Musically adjacent to successful pop artists from the 1960s and 70s like The Beach Boys, Turtles, Association, Grass Roots.
In a departure from the nuanced introspection of her previous work, World On the Ground unfolds as a finely wrought collection of stories from her hometown of Wimberley, Texas (population: 2,626), presenting a series of character sketches nearly novelistic in emotional scope. Jarosz reveals her remarkable gift for slipping into the inner lives of others and patiently uncovering so much indelible insight.