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Music Releases 09-30-22

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Music Releases 10-07-22

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Alvvays' third album, the nervy joyride that is the compulsively lovable Blue Rev, doesn't simply reassert what's always been great about Alvvays but instead reimagines it. They have, in part and sum, never been better. There are newly aggressive moments here-the gleeful and snarling guitar solo at the heart of opener "Pharmacist," or the explosive cacophony near the middle of "Many Mirrors." And there are some purely beautiful spans, too-the church- organ fantasia of "Fourth Figure," or the blue-skies bridge of "Belinda Says." But the power and magic of Blue Rev stems from Alvvays' ability to bridge ostensible binaries, to fuse elements that seem antithetical in single songs-cynicism and empathy, anger and play, clatter and melody, the soft and the steely. The luminous poser kiss-off of "Velveteen," the lovelorn confusion of "Tile by Tile," the panicked but somehow reassuring rush of "After the Earthquake."In October 2021, when they arrived at a Los Angeles studio with fellow Canadian Shawn Everett, he urged them to forget the careful planning they'd done and just play the stuff, straight to tape. On the second day, they ripped through Blue Rev front-to-back twice, pausing only 15 seconds between songs and only 30 minutes between full album takes. And then, as Everett has done on recent albums by The War on Drugs and Kacey Musgraves, he spent an obsessive amount of time alongside Alvvays filling in the cracks, roughing up the surfaces, and mixing the results. This hybridized approach allowed the band to harness each song's absolute core, then grace it with texture and depth.
New Vinyl: $26.98 Video
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2022 release, the third album from Grammy nominated and multi-platinum singer/songwriter/producer, Charlie Puth. His first full-length project since his 2018 Grammy-nominated album Voicenotes, the highly anticipated return promises to be his most personal record to date, with every song authentically representing a piece of himself. Includes the singles "Light Switch" and "Left And Right (Feat. Jung Kook Of BTS)"
New CD: $14.98
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It’s impossible to describe Action Bronson in a way he hasn’t already thought of. First and foremost though, Action Bronson is a principled MC, a Queens legend respected for his idiosyncratic pen and vivid raps, now a decade into his career and still deepening his skillset. “TRUST WHEN I SAY IT AIN’T SAFE FOR ANY OF THESE ANIMALS THE ANCIENT APEX PREDATOR IS BACK ON THE PROWL.” – ACTION BRONSON

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Dayglow

People In Motion

CD: $13.98 Buy

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Magnetically energetic and eternally hopeful, Dayglow (the project of Austin, TX based Sloan Struble) excels in creating catchy, carefully crafted, effervescent indie pop. His home-recorded 2018 debut album Fuzzybrain featured the Platinum Certified single “Can I Call You Tonight?”, which went on to be hailed as 2020’s biggest independent alternative hit. Following up with his sophomore album Harmony House in 2021, Dayglow generated a mountain of indie buzz and critical acclaim anchored by lead single "Close To You". Now, after racking up over a billion streams and selling out headline tours around the world, Dayglow returns with his third album People In Motion. Fun and colorful, People In Motion meditates on the ideas of commitment, inner peace, and movement, while inviting the listener to the dance floor to leave the chaos and noise of our current culture behind.

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On the honey shores of Cape Cod in a beach shack, Courtney Marie Andrews found self-love and her voice.  Every morning, she’d walk 6-8 miles around the back trails of an island and meditate on her life, perusing old memories and patterns like browsing a used bookshop. That summer of introspection led her to a joyous sense of beginnings and ends. When she let love for herself in, she therein let the outside love in, too—the summer feeling, the swaying cypress, the full moon, and the possibility of healthy love. This phase came only right after one of her darkest, though, where being alone with oneself was the most terrifying thing you could do. After more than a decade on the road, the Phoenix-born songwriter, poet, and painter finally had the space to process all the highs and lows of a life of constants. She was finally ready to make a record of triumph, while not completely forgetting the years that made her. 

That record is Loose Future.

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Blood Money is etched. It’s scratched out in bold, dark lines, with marimba, trumpet, and bass clarinet and contains some songs of Tom Waits’ most memorable melodies. The songs are declarative, sardonic, unforgiving, musical dispatches, from the bottom of the heap. “Blood Money is flesh and bone, earthbound,” said Waits. “The songs are rooted in reality: jealousy, rage, the human meat wheel...They are more car- nal. I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth. I like songs to sound as though they’ve been aging in a barrel and distressed.”

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Created as a celebration of Prine’s life and career, Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2 features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile,  Tyler  Childers,  Iris  DeMent,  Emmylou  Harris,  Jason  Isbell,  Valerie  June,  Margo  Price,  Bonnie  Raitt,  Nathaniel  Rateliff,  Amanda  Shires,  Sturgill Simpson and John Paul White. Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists. 
Released to widespread acclaim, NPR Music praises, “aside from being one of the greatest songwriters we’ve ever had, he was also an amazing mentor to so many artists...his spirit really comes through,” while American Songwriter declares, “Those who fail to be affected by the effort involved may want to check their pulse to assure that there’s  still a heart within them that’s beating at full force” and No Depression proclaims, “Broken Hearts and Dirty Windows, Vol.  2 ensures that that remarkable gift and his influence continue to live on.”
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Grammy-nominated LAMB OF GOD follows their 2020 No. 1 self-titled Hard Rock Album with their 9th studio album, Omens. Produced by longtime collaborator Josh Wilbur (Korn, Megadeath), Omens is also Lamb Of God's most diverse affair. Densely muscular with a pessimistic eye toward inner struggles and global affairs alike, Omens is a furious entry in the Lamb Of God catalog, perhaps their angriest album yet. "The world is crazy and keeps changing. Omens is a reaction to the state of the world,” explains vocalist D. Randall Blythe. "It’s a very pissed-off record. The New Wave of American Heavy Metal architects will support the new album with a massive U.S. headlining tour this fall.

New Vinyl: $22.98
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RIAA multi-platinum pop singer-songwriter Gayle has shared her tongue-and-cheek new song, "indieedgycool." Produced by Jonny Shorr with additional production by Pete Nappi ("abcdefu," Illenium, Madison Beer), the track is joined by an official music video, directed by frequent collaborator Jimmy Fisco. "indieedgycool" heralds the arrival of Gayle's upcoming EP, a study of the human experience volume two. Recently nominated for two MTV Video Music Awards ("Best New Artist" and "Best Push Performance"), Gayle will celebrate a study of the human experience volume two on her biggest North American headline tour to date. Along with her recent MTV Video Music Awards nominations, Gayle has earned an increasing list of honors and accolades in recent months, including a Billboard Music Award nod for "Best Viral Song," featured placement on Billboard's influential "21 Under 21" list, and most recently, Variety's 2022 "Power of Young Hollywood" Impact List. This product is an authorized manufactured on demand CD-R
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As told by Patrick Watson. This album is about negotiating a world where you don’t know what’s real anymore. I really spent a lot of time reading to improve my lyrics for this record. I was very inspired by Jesus' Son by Denis Johnson, The Waves by Virginia Woolf and Fever Dream by Samanta Schweblin. The lyrics are a collection of little thoughts that were pacing in my head. We worked hard on rebuilding the tones of our arrangements and we brought a bigger electronic component to the music. With the addition of modular synths, we able to find a warmer and more touching approach to the electronics, that feel as acoustic as the rest of the instruments and move like liquid. Basically, I went back to school for the last two years to be able to bring something new ha-ha. Andrew Barr from the Barr Brothers joined us on drums for this record, it’s a pleasure to play music with such a great musician. Better in the Shade Height of the Feeling Ode to Vivian Little Moments Blue La La La La La Stay

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Through powerful & intimate music, Oh Wonder's dual project "22 Break / 22 Make" combines a turbulent period in the duo's story (pain, sadness, loneliness, fear of the future) w/ a new chapter as they married & did the work to allow their love to flourish. By opening up to fans & to each other, the `Make or Break?' poised by `22 Break / 22 Make' is not so much a question, as an active choice - to be as honest as possible, to move forward, & to begin a brand new chapter in the story of Oh Wonder.

New CD: $19.99
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Bonny Light Horseman’s self-titled debut was a folk masterclass, reimagining centuries-old standards with effortless grace and wonder. Those Grammy-nominated, list-topping recordings not only suggested renewed possibilities for aging songbooks but also marked the arrival of a trio fully capable of reorienting the wider folk landscape. Still, if it felt at all like the work of some short-lived supergroup or a one-off diversion (it never was), Rolling Golden Holy rebuffs the notion with preternatural beauty and charm, and imagination.These songs, all originals, follow the paths of the traditional tunes the band cherishes to new frontiers, the sounds and situations of history given the gravity and shape of now. This is a band working at the edge of modern folk.

After the release of their debut, Anaïs Mitchell, Josh Kaufman, and Eric D. Johnson began discussing their next steps, loosely planning on writing and recording stints. Those sessions were delayed for all the unpredictable but now-familiar reasons until the Spring of 2021, when the trio reconvened with their families in tow in upstate New York. Their chemistry remained intact. Johnson’s wife Annie had listened to him work with dozens of collaborators over the decades, but, listening in from one room over, she noted he’d never seemed so at ease and productive as he was with Kaufman and Mitchell in Woodstock. They were perfecting “California,” a timely and incorruptible classic about moving on in search of something else, something more. These sessions were a series of “yes, and” encounters, each one encouraging the others to take an idea and run with it further to the new safety net they’ve built together, for one another.

These songs continually suggest and embody an unspoken continuum between traditional and modern folk. Mitchell finds self-sustaining adoration in steamy backseats, nighttime visions, and seasonal storms during “Summer Dream,” crisscrossing generational symbols to tie past, present, and future into a Gordian knot of devotion. Johnson reaches back to 19th-century wartime on “Someone to Weep for Me” to empathize with someone else descended from “a long line of nobodies,” just trying to live long enough to feel like he’s mattered to anyone at all, a notion that knows neither age nor border. Johnson and Mitchell trade lines on “Exile,” their luminous response to another of humanity’s eternal conundrums—how to revel in relationships that we know will one day leave us lonely. Love and loss, death and fear: the songs may be different, but the emotional sources remain.

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After much enthusiasm that helped foster the band’s self-titled 2020 EP, My Kid Brother are branching out themselves. MAD HAPPY WEIRD SAD, recorded with producer Eric Palmquist (Thrice, Bad Suns, Mutemath), builds on their EP’s polished, hooky rock with heavier riffs ("Roots") and thicker grooves ("High Society"), colorful and quirky arrangements, lyrics that span stalker tales to unfiltered love songs, and choruses that punch with a newfound intensity ("Shoulders"). 

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With over 20 million albums sold worldwide, innumerable accolades and a career that not only spans, but has charted the course of multiple genres, QUEENSRŸCHE remains a force in their own right. “Digital Noise Alliance”, QUEENSRŸCHE’s 16thstudio album (out October 7th) and fourth to be helmed by founding guitarist Michael Wilton, vocalist Todd LaTorre and bassist Eddie Jackson continues the ever-evolving legacy the Bellvue Washington born band began in 1982 when they first took hold of the flame with their hugely received self-titled 4-song EP. Their recent U.S. tour with Judas Priest proved that the band’s time off the road and in the studio only stoked their ambition and fire. Once again teaming producer Zeuss (Rob Zombie, Hatebreed), “Digital Noise Alliance” not only refracts QUEENSRŸCHE’s past accomplishments but also pushes into the band’s future. From the album’s frenetic opener, “In Extremis”, the pensive, “Forest” or “Behind The Walls”, which echoes QUEENSRŸCHE classics and genre-defining albums including “Operation: Mindcrime” and “Empire”, “Digital Noise Alliance” is QUEENSRŸCHE effortlessly moving from strength to strength: immediate and thought-provoking. Quintessentially QUEENSRŸCHE.
New Vinyl: $44.98 Digital Tracks
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Indigo Sparke’s majestic second full-length album Hysteria is a sweeping work, one that possesses a rare, reflective power. On it, she examines love, loss, her history, and the emotional upheaval surrounding those sensations: her words tell the stories, and the sounds act them out. It’s a diary built for big stages. Hysteria arrives just a year after her striking, minimalist debut, Echo. Here, though, Sparke offers an expansive body of work—it’s a complex collection that expands her sound and outlook.

Work on Hysteria began at the start of the COVID-19 pandemic, while Sparke was stranded in quarantine in her native Australia. After moving back to New York in the spring of 2021, Sparke finished writing the album’s 14 songs and decamped upstate with producer Aaron Dessner (The National, Taylor Swift). “Originally we were going to co-write, but after he heard my demos he said, ‘There’s so much in here already,’” Sparke recalls on how Dessner, who also contributes instrumentation along with guitarist Shahzad Izmailyand drummer Matt Barrick (The Walkmen, Muzz), got involved in bringing Hysteria to life.

Centering Sparke’s powerful vocals throughout, Hysteria is packed with big guitars and layered instrumentation that practically acts as the album’s lungs, giving every note breath. From the pulsing immediacy of “Infinite Honey” to the soaring “God Is a Woman’s Name” and “Hold On”’s towering chorus, this is music that sounds huge even as it zooms in on the trials and turmoils of one’s inner life. You can hear Sparke reflecting on reconciliation, grief, hope, and the passage of time on the perpetually building “Pressure in My Chest” and the airy, Joni Mitchell-esque title track, which finds her embracing a gorgeous upper register over gently strummed guitar. “Set Your Fire on Me” builds and bursts not unlike Angel Olsen’s own raw folk-rock expressionism—and then there’s the stark opener and first single “Blue,” which acts as a cosmic road map for Sparke’s own journey in life.

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Dungen, torch bearers of Sweden’s rich and fabled history of pastoral psychedelia, return with En är för mycket och tusen aldrig nog, the band’s first full-length album since 2015’s Allas Sak. Creating their own critical and fervent, fan-based lane for guitar-powered, melodic and magisterial rock ‘n’ roll with their 2004 break out album Ta Det Lugnt, Dungen have since left a staggering array of albums and a prodigious live presence in the embers of their burning wake. En är för mycket och tusen aldrig nog (English translation: "One is too much and a thousand is not enough") finds Dungen’s core four members Gustav Ejstes, Reine Fiske, Mattias Gustavsson, and Johan Holmegard in pure form, their now decades deep collaboration in total focus and elevated to new heights unobstructed by the spirits that once haunted and shaped the band’s music.

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Years before forming one of Nashville's most genre-bending bands, the members of Judah &the Lion grew up in separate corners of the U.S., listening to every type of music that came their way. They loved it all: the twang of folk, the beat of hip-hop, the drive of rock & roll, the punch of pop. Later, after college brought all four musicians to Tennessee, it only made sense to combine those different backgrounds # and different sounds # together. With their second full-length album, Folk Hop N Roll, the guys shine a light on the place where their influences overlap. It's a wide-ranging sound, with fuzz bass, hip-hop percussion, distorted banjo riffs, and super-sized melodies all stirred into the same mixing pot. There's no boundaries, says frontman Judah Akers, who shares the band's lineup with drummer Spencer Cross, mandolin player Brian Macdonald, and banjo wiz Nate Zuercher. We wanted to make something raw, something with attitude. We all grew up loving these hip-hop beats, so why not make an album that has the grit of Run DMC or Beastie Boys, along with all the folk instruments that we play?

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2022 release, the ninth album from the alt-rock/post-grunge band led by Gavin Rossdale. Includes the single "More Than Machines".
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Written and recorded in the midst of a dizzying stretch in which nearly everything about the way the band lived and worked was turned on its head, The Garden is indeed a work of relentless hope. The songs are profoundly vulnerable here, and the performances are warm and breezy, calling to mind everything from Andy Shauf and Cass McCombs to Beck and Tame Impala with an easygoing demeanor that belies the deep emotional work underpinning them. 

Motel Radio generated early buzz in their adopted hometown of New Orleans on the strength of their 2015 debut EP, Days & Nights, which helped land them dates with the likes of Kurt Vile and Drive-By Truckers in addition to festival slots at Firefly, Jazz Fest, and more. The band followed it up with the similarly well-received Desert Surf Films in 2016 and their first full-length, Siesta Del Sol, in 2019, touring the country on a seemingly endless loop as they built up their devoted following one night at a time. 

New Vinyl: $23.98
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THE BEST ALBUM SINCE LIFE’S A BEACH. Upgrade your life and enrich your ears with 15 new tracks from easy life, laid out over 45 blissful minutes. The new album features the songs “BEESWAX” and “DEAR MISS HOLLOWAY” featuring Kevin Abstract. The full tracklisting and feature list will be revealed soon – you will not be disappointed. Indie Exclusive Pink LP.

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9 LP set is pressed on 180-gram vinyl and housed in a rigid outer slipcase. Includes 5 embossed art prints of each of the covers. Vinyl cut by Bernie Grundman.

The Studio Albums 2009-2018
is a collection of Mark Knopfler’s studio albums, plus a collection of studio B-sides, bonus tracks, and 2 previously unreleased songs (“Back In The Day,” “Precious Voice From Heaven”). Audio overseen by original mastering engineer Bob Ludwig at Gateway Mastering.

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After nine critically acclaimed albums, twenty bandmates, countless bars, clubs, theaters and festivals, after two full decades, Will Sheff is letting Okkervil River drift out to sea with the release of Nothing Special, his debut collection under his own name. Nothing Special was recorded with a mix of old friends (like Benjamin Lazar-Davis and Will Graefe) and new collaborators (Christian Lee Hutson, Cassandra Jenkins, Dawes drummer Griffin Goldsmith, and Death Cab For Cutie pianist Zac Rae).

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RSD Essential 035 * 10th Anniversary * RSD Essentials Limited Edition Alternate Cover + Coke Bottle Clear Colored Vinyl

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Maneka

Dark Matters [LP]

Vinyl: $24.98 Buy

MP3 Album: $9.99 Download

Dark Matters', the second album from Brooklyn-based indie rock artist Maneka, explores the intersections of race and history alongside themes of defiance and strength. Across 10 tracks, Mankea asks uncomfortable questions about himself and America's dark past all while scraping the edges of what guitar music can be. Kinetic, unpredictable, and totally resonant, this genre-bending LP blends elements of shoegaze, hip hop, grunge, and indie rock.
New Vinyl: $24.98 Digital:$9.99
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40th Anniversary celebration of the album responsible for naming a genre! Originally released in 1982, Black Metal was the second full-length album from Venom and remains a major influence on Thrash Metal, Death Metal, and Black Metal.  Includes the classic trio of Cronos, Mantas & Abaddon.

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CLAMM explore the confusion of what it is to be a young person trying to live an honourable life in this fucked up world. Their songs are about trying to navigate systems of power and oppression while retaining a healthy sense of self and mental health. Community, creativity, and catharsis are what they hope to achieve through their music.

Care is bigger, louder and darker than previous album Beseech Me (2020). CLAMM dodged lockdowns to record at Rolling Stock and Sound Park Studios with Nao Anzai (NO ZU, Cash Savage, Rolling Blackouts). Nao also plays fearsome synth on the album and has joined the band on-stage at recent shows. Saxophonist Anna Gordon (Mangelwurzel) contributes wild free jazz skronk to a number of tracks.

'Bit Much' is the first CLAMM recording to feature the bass and backing vocals of newest member Maisie Everett (also in Belair Lip Bombs), who joined the band shortly after Beseech Me was released. Jack and drummer Miles Harding have been best friends since primary school, but with Maisie the CLAMM trio finds its ultimate form.

Beseech Me was a Triple R and FBI Radio feature album in 2020 and sold out its original cassette pressing almost immediately. It was reissued on vinyl in 2021 by UK label Meat Machine (renowned as the home for Canadian art-punk provocateurs Crack Cloud), which saw CLAMM featured on the cover of French Rolling Stone and played on BBC 6 Music.

In Australia the band has played with Amyl & the Sniffers, the Chats, Cash Savage and the Murlocs, and played Yours & Owls Festival and Melbourne Music Week. A UK/Europe tour planned for Jan/Feb this year was cancelled for the usual reasons, but the band will return in August for their first international shows.

New Vinyl: $20.98
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The follow-up to her acclaimed holiday album Warmer In The Winter, this new collection of Christmas classics and mesmerizing original songs features Lindsey's signature violin across a number of instrumental tracks. Also, it includes collaborations with Frawley, David Archuleta, and Bonnie McKee. Indie Exclusive CD with Limited Edition Ornament.
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Enjoy the voice of the holidays, 10 timeless classics available on limited edition white vinyl. Including “White Christmas” “Winter Wonderland” “Let It Snow, Let It Snow, Let It Snow” and more!

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Dolly Parton

Home For Christmas [LP]

Vinyl: $22.98 UNAVAILABLE

MP3 Album: $8.99 Download

First time on vinyl globally, Home for Christmas features Dolly’s take on ten Christmas classic standards tracks like “I’ll Be Home For Christmas,” “Santa Claus is Coming to Town,” and “We Three Kings,” among many other holiday favorites. The album’s original release was accompanied by Dolly’s 1990 television special, Dolly Parton: Christmas at Home.

New Vinyl: $22.98 Digital:$8.99
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NCT 127 returns in a genre-bending album of 12 songs that combine brilliant performance with appealing vocals. Lead single, ‘2 Baddies’, is a powerful performance-based hip-hop dance track. A signature synth sound & members’ energetic vocals create a lyrical portrayal of positive mindset, racing through life with confidence to reach success. Random Cover (out of 9 members) with matching Folding Poster, Random Photo Card, and Random Exclusive Photo Card.

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Unloved are the trio of Jade Vincent, Keefus Ciancia and David Holmes. The Pink Album, whose title was inspired by the artwork of Julian House, feature collaborations with Jarvis Cocker, Étienne Daho, Raven Violet and Jon Spencer across it's 22-tracks. Shocking at times but also tender, intimate and carnal, the album ruminates on the shades of love, it's nuances, and how it can be both delicious and frightening, marvelous and aching.
New Vinyl: $29.98
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Love Battery

Dayglo [LP]

Vinyl: $30.98 UNAVAILABLE

MP3 Album: $9.99 Download

In the middle of the wonderful sludge that was coming out of Seattle in the late '80s/early '90s, Love Battery pierced through with something different to offer. They were more psychedelic, more tuneful, and even more... dare we say... British sounding than what Sub-Pop was releasing at the time. We were listening. The results are crystal clear on the record Jackpot Records is reissuing, Dayglo. And like many of the Sub-Pop records of the day, this has not been available on vinyl in the U.S. Until now. On Dayglo, inventive and underrated guitar wizard Kevin Whitworth and vocalist / guitarist Ron Nine slash and burn through 10 songs that would give bands like Blur, Swervedriver, and yes, Nirvana, a run for their money. It doesn't hurt that the focused driven energy of drummer Jason Finn (soon to be of The Presidents Of The United States) and ex-U-Men bass monster Jim Tillman add more than their weight to the sonic mystery of these songs. From the melodic battle cry of opener 'Out Of Focus' with it's slippery, infectious chorus, it's obvious that Love Battery had an incredible knack for hypnotic hooks, cryptic lyrics, and propulsive grooves-ones that record obsessives still drool over when the needle hits the turntable. The record is as mysterious as early R.E.M., with equal hints of 13th Floor Elevators and Screaming Trees sprinkled throughout. "Two years later, Oasis made the same record and were called geniuses"-SPIN Magazine
New Vinyl: $30.98 Digital:$9.99
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Bitchin Bajas

Bajascillators [2LP]

Vinyl: $39.98 UNAVAILABLE

MP3 Album: $3.99 Download

Amorpha, a side-long shower of synthetic bells and bass, as patterns interlock and repeat and the beat within the bar lines shifts constantly, forms a new, latest miniature of infinity. You flip it, and 'Geomancy' resets you, starting anew, with heavy drift and drone leading into a space of shorter broken lines and Middle Eastern tonalities, that roll back into ether again - new spaces, but mysteriously consonant with the vibe. Bajascillators arrives almost five years since their last official full-length, 2017's Bajas Fresh. In the eight years prior to Bajas Fresh, Bitchin Bajas issued seven albums, plus cassettes, EPs, singles... wave after wave of analogue synth tones and zones extending into a stratospheric arc. Each release it's own headspace, shape and timbre, each one sliding naturally into their implacable, eternal gene pool.

New Vinyl: $39.98 Digital:$3.99

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Music Releases 10-14-22

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Movie Releases 10-18-22

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