Indie Exclusive Releases
Vinyl: $35.98 PREORDER
On Last Man Dancing, Jake Shears turns his lifelong love affair with club culture into his most ambitious pop music to date. The album was brought to vivid life by Jake Shears and a close crew of collaborators, including head-turning features from Kylie Minogue, Jane Fonda, Iggy Pop, Amber Martin, and a pre-Renaissance turn from the iconic Big Freedia.
MP3 Album: $9.99 Download
Recorded at Ardent Studios and released in 1972, the album has gone on to become one of the most influential and iconic debut albums of all time. This 50th-anniversary edition is pressed on 180-gram metallic gold with purple smoke vinyl and features all-analog mastering by Jeff Powell at Take Out Vinyl. The album has been included in Rolling Stone’s 500 Greatest Albums of All Time, with the song “Thirteen” featured in its 500 Greatest Songs of All Time.
Vinyl: $79.98 PREORDER
The indie variant includes three exclusive screen-printed inserts, each inspired by the three acts of ATUM.
A heady cocktail of dub rhythms, island vibes and his own sweetly melodic topline, The irony is that Letts hadn’t really intended to make music of his own. Conceived during Covid down time and produced by Gaudi with a bunch of bass lines provided by Youth (The Orb/Killing Joke) that kick-started the whole thing.
The album is chockfull of guest vocalists including Terry Hall, Flaming Lips’ Wayne Coyne, The Slits' Hollie Cook, Zoe Devlin Love and Honor Letts, aka Letts’ second youngest daughter.
Vinyl: $21.98 PREORDER
“PERMANENT.RADIANT is the newest EP from the darkly cinematic duo ††† (Crosses) featuring Chino Moreno of Deftones on vocals and Shaun Lopez on production and instrumentation. This project features the previously released singles “Vivien” and “Sensation,” along with the once exclusive vinyl track “Day One.” Eerie synth arrangements and pulsating percussion culminate in a lush, sprawling soundscape captured throughout this collection of songs. Chino Moreno's lyrics and vocal textures combined with Shaun Lopez's immersive production and sound design create a world that will likely transport anyone who listens to places both familiar and new.
Produced by Sean Ono Lennon and mixed by Dave Fridmann (Beach House, Spoon, The Flaming Lips) , Temples fourth full-length album takes place in an impossibly utopic island dreamed up by the four band members. With its resplendent collage of psychedelia, krautrock and time-bending dream-pop, Exotico brings that world to life in crystalline detail, all while exploring an entire spectrum of existential themes: impermanence, mortality, our connection with nature and the wild immensity of the mind.
72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”
Vinyl: $23.98 PREORDER
The Wood Brothers have learned to trust their hearts. For the better part of two decades, they've cemented their reputation as freethinking songwriters, road warriors, and community builders, creating a catalog of diverse music and a loyal audience who’ve grown alongside them through the years. That evolution continues with Heart is the Hero, the band's eighth studio album. Recorded analog to 16-track tape, this latest effort finds its three creators embracing the chemistry of their acclaimed live shows by capturing their performances in real-time direct from the studio floor with nary a computer in sight. An acoustic-driven album that electrifies, Heart is the Hero is stocked with songs that target not only the heart, but the head and hips, too.
"We love records that come from the era of less tracks and more care," explains co-founder Oliver Wood. "When you use a computer during the tracking process, you have an infinite number of tracks at your disposal, which implies that nothing is permanent, and everything can be fixed. Tape gives you limitations that force you to be creative and intentional. You don't look at the music on a screen; you listen to it, and you learn to focus on the feeling of the performance.”
Throughout Heart is the Hero, those performances are matched by the visceral storytelling and songwriting chops that have turned The Wood Brothers into Grammy-nominated leaders of American roots music, even as their music reaches far beyond the genre's borders. The stripped-down swagger of "Pilgrim'' underscores Oliver's reminder to slow down and experience each moment as an interactive observer, rather than a passive tourist. A similar theme anchors “Between the Beats," where Oliver draws upon a meditation technique — maintaining one's focus on the space between heartbeats — to reach a new level of presence. The gentle sway of country soul gem “Rollin’ On,” featuring horns by Matt Glassmeyer and Roy Agee, expounds on the time-honored tradition of love as the guiding light through darkness, while ”Mean Man World" finds Chris Wood singing about his responsibilities as a father whose young daughter is poised to inherit an uncertain future. "Line Those Pockets'' is a universal call for mercy and understanding over materialism. "Everybody's just trying to be happy, so put your money away; line those pockets with grace," the band sings in three-part harmony during the song's chorus, which emphasizes compassion over cash as the world's true currency. Together, these songs offer a snapshot of a spirited, independent-minded group at the peak of its powers, always pushing forward and seeking to evolve beyond what’s come before.
"There's still acoustic guitar, upright bass, and percussion on this album — things people use all the time — but we're always thinking, 'How can we make this sound like us, but not like something we've already done?'" Oliver says. "Sometimes, the only way to do that is to get weird.”
That sense of exploration pumps its way through Heart is the Hero like lifeblood. Arriving on the heels of 2019's Live at The Fillmore, 2020's Kingdom In My Mind, and Oliver Wood's solo album Always Smilin' — all of which were released on Honey Jar Records, the band's independent label— Heart is the Hero is bold, bright, and singularly creative, a fully realized collective effort ultimately greater than the sum of its parts. Perhaps that's to be expected from a group whose willingness to experiment has earned acclaim from Rolling Stone and NPR, as well as an annual touring schedule of sold-out music halls and theaters on both sides of the Atlantic. Ask The Wood Brothers, though, and they'll tell you to expect the unexpected.
"We are never satisfied if we are not searching for new musical recipes," says Jano Rix, nodding to the uncharted territory that Heart is the Hero covers. Chris Wood agrees, adding, "We are one of those bands that isn't easily categorized. We know what our strengths are, but we can’t help but push the envelope, as well. It’s too much fun."
After seven years, Daughter are back – a generational band with well over 1 billion streams across three records. Since their debut in 2013, Elena Tonra’s intimate, crushingly honest lyrics have been a lifeline for the band’s fans, whilst also finding a gateway to the likes of alternative giants Phoebe Bridgers and Bon Iver. ‘Be On Your Way’ is warmly optimistic in tone, finding a lightness in Tonra’s poetry, whilst still desperately evoking an emotional resonance unmatched in the alternative space.
Ever since their emergence in early 2016 HMLTD, avid advocates of the Gesamtkunstwerk, have always striven to give audiences more. On their wildly ambitious second album, they are realising these aims on a truly epic scale.Created over the course of two years with a cast of 47 musicians – including a gospel choir and a 16-piece string orchestra – The Worm is less a concept album than a fully-fledged musical universe, transcending genre and medium. Set in a disorienting anachronistic version of Medieval England – as steeped in dystopian sci-fi fantasy as it is folklore and Old English mythology – it’s part political polemic, part deeply moving psychological journey.Though always admired for their defiantly genre-agnostic approach, The Worm sees HMLTD pushing sonic experimentation to a whole new level, from dissonant free jazz riffing to vintage soul and English folk fusions to rock opera. Major musical touchpoints included Stravinsky’s ‘Rite Of Spring’, Pink Floyd and Nina Simone’s rendition of ‘Sinnerman’ and references for the world of The Worm included 14th century texts The Canterbury Tales and The Decameron, Aleksey German’s 2013 sci-fi film Hard To Be A God, Bergman’s The Seventh Seal, Tarkovsky’s Andrei Rublev and the hopeful narrative arc of 90s mecha anime series ‘Neon Genesis Evangelion’.
The Brooklyn-based band has performed in all 50 states in the USA and throughout Canada, Europe and Australia. The Hold Steady music has appeared across movies, advertising and TV, including on Game Of Thrones and Billions, in addition to writing original material for Seth Meyers cartoon The Awesomes and Meyers’ 2019 stand-up comedy special Lobby Baby.
Released in early 2021, The Hold Steady’s most recent record Open Door Policy, achieved the band’s highest chart position of any album, debuting #6 on the Billboard Current Album Chart. Vulture gushed the record “expands their horizons,” and “gives the Hold Steady new heft and variety without undercutting the sharpness of the hooks or singer-guitarist Craig Finn’s heart-wrenching novelistic lyricism.”
The 20th Anniversary of The Hold Steady will see an expanded collection of activities and music release to celebrate the milestone with fans. Year five of The Weekender, The Hold Steady’s annual visit to the UK with a 3-night stop in London, occurs March 10-12, 2023.
The Hold Steady is: Bobby Drake (drums), Craig Finn (vocals), Tad Kubler (guitar, vocals), Franz Nicolay (keyboards, vocals), Galen Polivka (bass), and Steve Selvidge (guitar, vocals).
Vinyl: $9.98 PREORDER
“I felt a Funeral, in my Brain” is a rare duet in Andrew Bird’s deep discography. He and Phoebe Bridgers join forces to share a haunting reimagination of the Emily Dickinson poem, “I felt a Funeral, in my Brain.” Sparse and spectral, the arrangement pairs chilling, swelling shrieks of strings with the slight strum of guitar, as Bird and Bridgers trade verses and soar in harmony over Dickinson’s words. And paired with a B-Side rarity, "The Twistable, Turnable Man Returns", Andrew's tribute to the Shel Silverstein poem.
Remastered vinyl reissue of the rock supergroup’s debut album from 2001 featuring Mike Patton (Faith No More, Mr. Bungle), Duane Denison (Jesus Lizard), John Stanier (Battles, Helmet) and Kevin Rutmanis (Melvins). This is the first time the out-of-print vinyl has ever been available individually.
Vinyl reissue of the rock supergroup’s fourth album from 2013 featuring Mike Patton (Faith No More, Mr. Bungle), Duane Denison (Jesus Lizard), John Stanier (Battles, Helmet) and Trevor Dunn (Mr. Bungle). The album has been out of print for almost ten years and is now back in limited variants.
Vinyl: $32.98 PREORDER
Formed in 1987 in Umeĺ, Sweden, Meshuggah have gone on to be called “one of the ten most important hard and heavy bands” by Rolling Stone and have earned the respect and admiration from fans and musicians alike.
It is impossible to talk about experimental or avantgarde metal without mentioning this truly groundbreaking act: MESHUGGAH mix ultra-complicated rhythmic patterns with massive riffs and aggressive growls, combining Death Metal, Mathcore, Thrash and Progressive Metal to create their unique style.
The year 2023 now marks the 15th anniversary of the band’s milestone: "ObZen".
Yet another masterpiece of diversity and surprises as a whole, the album contains the band’s absolute massive hit, “Bleed” – the song that tore through the industry like a shockwave and had fans and musician peers alike completely speechless. You could say that "ObZen" is some sort of a best of album of the band’s early works combined with fresh, new songs at that moment in time – but that´s only half the truth. Compared to some of the gloomy lava realm of subconcious terror of previous releases, "ObZen" is a big butt kick. Some parts are still slo-mo groove infernos, but others, like the opener "Combustion", are high speed-massacres like the band never did before. Pure technical ass-kicking mayhem!
The re-release of this masterpiece comes in a beautifully enhanced digipak and stunning new vinyl colors, to complete every collector’s dream.
Vinyl: $29.99 PREORDER
Named after the residential studios outside Paris where the album was recorded, Honky Château bought a new level of simplicity and directness to Elton’s music that had previously only been seen in glimpses. Shorn of the complexities and ornate orchestrations of his recent work, Honky Chateau seemed freewheeling and intimate. It was helped by Rocket Man, the record which became another of Elton’s signature songs.
These special editions contain the original album, and on both vinyl and CD editions a newly created selection of outtakes from the sessions, produced from the original tapes by Matt Still, which highlight the warmth and humor of the sessions.
On CD only there are eight tracks from the album that were recorded at the Royal Festival Hall in 1972, all receiving their live debut, just a few days back in the UK after recording. Assembled with the customary care by Elton’s catalog team, the album comes as a gatefold with an eight-page booklet with rare photos, memorabilia and an essay by co-curator and music writer Daryl Easlea, featuring interviews from those who were there.
Honky Château has been mastered at Lurssen in California, and the vinyl cut at Abbey Road.
Their fifth studio album, Celebrants marks a highly anticipated return for the beloved trio and explores the inherent dynamics of human connection. Across the 18 tracks, the trio addresses love, friendship and time with lyrics both poetic and plain-spoken, as they see bridges built, crossed, burned and rebuilt. Recorded at Nashville’s RCA Studio A, the album was produced by longtime collaborator Eric Valentine (Queens of the Stone Age, Grace Potter, Weezer) and features Mike Elizondo on bass.
In celebration of the release, the band will perform three very special sold-out shows at Nashville’s historic Ryman Auditorium this spring on April 27, 28 and 29.
Together a sum of more than their staggering parts, Nickel Creek revolutionized bluegrass and folk in the early 2000s and ushered in a new era of what we now recognize as Americana music. In a 2020 retrospective entitled, “The Year Folk Broke: How Nickel Creek Made Americana The New Indie Rock,” NPR Music praised, “20 years ago this month, an album arrived that seemed to speak all these languages at once: unafraid to push the boundaries of its primary genre, and packing the musical chops to bring such an eclectic vision to life. Behind it were three musicians just barely old enough to vote” and continued, “That makes Nickel Creek and its unofficial debut a critical point along a storied timeline, one whose innovations offer countless connections between the genre’s origins and its future. Once dubbed ‘progressive newgrassers,’ the three musicians now fit firmly within the ranks of Americana music—however nebulous, layered and diverse that realm may be. They have only themselves to thank.”
After meeting as young children and subsequently earning the respect of the bluegrass circuit for a decade, the trio signed with venerable label, Sugar Hill Records, in 2000 and quickly broke through with their Grammy-nominated, Alison Krauss-produced self-titled LP. Since that effort, the trio has released three more studio albums to date: 2002’s This Side, which won Best Contemporary Folk Album at the 45th Grammy Awards, 2005’s Why Should the Fire Die? and 2014’s A Dotted Line.
Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters. Limited Edition Indie Exclusive Light Green 180-gram 2 LP with alternate cover art.
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"During the pandemic, we started a Patreon page. Through the Patreon page, ten people purchased a song we would write for them after having a zoom chat with the band. The stories we heard in those conversations created foundations for the lyrics that evolved into ten different songs. A year or so later we decided to take them into the studio to create a new album. During the studio sessions, we realized we wanted a song to summarize the process and tell the story of the project. One afternoon during the session we came up with the title “10 Stories High” and matched it up with a melody that Pete and Bryan had recorded earlier on their phones. We really liked how the title added imagery of ten people in a ten-story building living out their own external and internal experiences. It was a perfect summary to the project. After a few hours of tinkering with the music and words we had our title track for the record."
Songs of Surrender features 16 new acoustic and reimagined recordings from the U2 catalog, produced and compiled by The Edge, including “One,” “I Still Haven’t Found What I’m Looking For,” and “Pride (In The Name Of Love).” U2 have sold over 175 million albums, won 22 Grammy awards, and released 14 studio albums. Limited Edition Indie Exclusive Opaque White 2 LP. Pressed on 180-gram vinyl with 4-page insert featuring liner notes from The Edge.
“Remember… You Must Die” is the sound of extreme metal stalwarts SUICIDE SILENCE channeling the spirit of their classic albums like “The Cleansing” or “No Time to Bleed” and delivering a modern deathcore masterpiece. Produced by Taylor Young (Xibalba, Vitriol, Drain), “Remember… You Must Die” taps into the rawness and energy in SUICIDE SILENCE’s DNA to thunderous result. Tracks like the album’s first single, “You Must Die” and its follow-up “Capable of Violence (N.F.W.)” are proof positive that SUICIDE SILENCE are far from mellowing with time. With this record, they’re going deeper and darker, the songs often lyrically being a meditation on death and finality. Says the band: “Every second the clock ticks we grow closer to death and what happens after our short bout with time is a total mystery. ‘Remember… You Must Die’ was written as a reminder to remember death and to not let time be our master.” With artwork by acclaimed Necrosurrealist artist David Van Gough, SUICIDE SILENCE isn’t merely looking back in anger. They’re starring forward and setting the standard for metallic extremity in the process.
For The Nude Party, nearly a decade has flown by in the blink of an eye. In that time, the New York-based band has released a pair of well-received albums, an EP and played numerous shows. The band has historically worked with a producer to help them create a distinct sound in their records but with their latest effort, Rides On, the band decided to handle production duties by themselves. The hands-on approach allowed the band to have as much fun creating as they ever had at any other point in their career. They recorded over 20 songs, including some that dabbled in electro-pop and stripped-down country before settling on the final 14 songs containing the best elements of ‘70s-driven blues rock. The relaxed vibe of the session also unleashed a diverse sonic texture compared to their previous releases. Sonically, the album is reminiscent of Sticky Fingers-era Stones, but the lyrics are mini-vignettes that embody the spirit of what The Nude Party are going for — and their growth as a band. Rides On, the band confidently says, is their best record. It’s also the most homegrown and organic record The Nude Party has created to date.
The Smile’s Europe 2022 Live Recordings. The release marks the triumvirate’s momentous debut European 30 + stop tour including illustrious venues such as London Roundhouse and Berlin’s Tempodrom and Primevera Sound, Barcelona.
Performed by Thom Yorke, Jonny Greenwood and Tom Skinner - The Smile.
If you’re talking about modern progressive rock and don’t bring up Haken, you’re doing it wrong. Since the south English sextet started jamming together in 2004, they’ve been one of their genre’s most loyal yet, simultaneously, adventurous forces. And how do you honour such an eclectic, unpredictable career? You make Fauna: Haken’s most genre-busting and conceptually fascinating album to date. “The premise of the album when we started writing it was that every song would have an animal assigned to it,” explains singer and co-founder Ross Jennings. “They all have something related to the animal kingdom that we could write about, but they also connect to the human world. Each track has layers, and some of them are more obvious than others.”
Kate NV’s WOW offers listeners a prismatic shift in perspective and scale, a parallel dimension in which the mundane becomes funny, unfamiliar, and altogether sensational. Turning the contents of her 2020 album Room for the Moon upside down and spilling them across a floor checkered with intrigue and surprise, Kate places sound, object, and ritual under the microscope to magnify the delight hidden in plain sight of everyday life.
WOW is Kate Shilonosova’s fourth full-length release as Kate NV in six years, and third for RVNG Intl. Her prolific musical output aligns with a highly attuned aesthetic and a deep commitment to visual world building. WOW is one of many of these worlds in which music is fully saturated with color, deeply tactile and textural. Shiny, sproingy, plastic. Where Room for the Moon embraced structure (abstractly speaking) and veered pop, WOW happily abandons conventional song shapes, parsing the experience of musical time into ecstatic fragments.
New Jersey rock band Can't Swim is releasing their 4th full length studio album called 'Thanks But No Thanks'. Self-produced by Danny Rico, the band's guitarist, the band is returning to their roots of gritty, dirty, DIY instrumentals accompanied by some of the best lyrical concepts of their career.
Grammy Award-winner Kali Uchis’ third studio album, Red Moon In Venus, will be released on March 3, 2022, via Geffen Records. It features the new single, “I Wish You Roses.”
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The spiritual successor to 2022’s Made In Timeland, Laminated Denim is a world of its own. First made available at their October 2022 shows at Red Rocks, King Gizzard & The Lizard Wizard’s 22nd album consists of two special 15-minute tracks swarming with the mysteries and maverick inventions that thrive within the Gizzverse. Indie Exclusive “Lemon Sun Edition” 180-gram LP. 33 RPM.
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‘There’s Nothing Worse Than Too Late’ was written and recorded over the last year and half. We went back to some of our earlier influences for it. When writing, we kept referencing more timeless bands like The Starting Line, Taking Back Sunday, Jimmy Eat World and many others. It has always been important for us to write songs that are timeless, but that was in the front of our minds more than ever when compiling TNWTTL. We want our fans to go back and listen to these songs in five or ten years and still feel something. Lyrically it touches on depression, death, cutting long lasting ties for good and many other heavy subject matters. At the end of it all, if our fans feel less alone because of these songs then it’s a success in our eyes.
Tianna Esperanza is a singer, songwriter and storyteller who embodies a depth of talent and heart well beyond her 22 years. With a sultry voice and flair for fashion, Esperanza creates compelling music inspired by legendary artists such as Nina Simone, Public Enemy and Gil Scott-Heron. Esperanza also happens to be the granddaughter of punk legend Paloma (“Palmolive”) McLardy, who founded the London-based 1970s all-girl punk band The Slits and later played with The Raincoats.
Growing up in Cape Cod, Massachusetts, Tianna was hardly surrounded by diversity. As a multiracial child in an affluent predominantly white beach town, she navigated as best as she could, knowing she was wired differently for a myriad of reasons.
Tianna sought to forge her own path, though her life’s journey wasn’t smooth. Experiencing othering and colorism was felt on both a micro and macro level for Tianna as she grew up, but she also suffered the loss of her younger brother, while later surviving sexual assault. Her survivors’s instinct and therapeutic creativity fuel her debut album Terror, a project that is not only a composite of all she has endured, but also as a means to find herself within the music.
As the rising star unveils her debut masterpiece, Terror, set for release on February 17, 2023 and produced by Chin Injeti (P!nk, Eminem, Aloe Blacc), Tianna is geared to create a movement powered by honest and authentic music that will stand the test of time.
Andy Shauf’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. On his new studio album Norm, Andy Shauf’s songwriting veers decidedly more oblique, hinting at sinister happenings and dark motivations. The result: an intoxicating collection of mellifluous melodies and beguiling lyrics. Levitating, synth-laden atmospherics drive Shauf’s storytelling on ‘Norm,’ mixed by Neal Pogue (Tyler, the Creator).
In 2016, The Party catapulted Andy Shauf to indie notoriety, followed by 2020’s The Neon Skyline which landed Andy Shauf performances on Jimmy Kimmel Live! and CBS This Morning: Saturday, a Polaris Prize nomination, and mentions on several best-of lists — among them, a track on Barack Obama’s playlist and praise from Pitch- fork, The Atlantic, Esquire, Stereogum, and more.
Vinyl: $28.98 PREORDER
This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home. When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.
It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home. The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.
There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.
Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.
The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.
There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.
This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brush strokes, salmon stinta, and above all healing.
Let it take you. Move through the story and see the land through her eyes, because it is a gift, a welcomed sʔabadəb.*
*The word “gift” in Lushootseed, the language of the Coast Salish people“
Post Malone’s 4th studio album, Twelve Carat Toothache, is his most intimate and personal opus to date. Throughout the 14 tracks, Post takes us with him on his trials with fame, giving a glimpse into the irony of seemingly having it all, but feeling like nothing all at the same time. In an interview with Billboard, Post explained he wants the new songs to “speak more to how I’m feeling at the moment: the ups and downs and the disarray and the bipolar aspect of being an artist in the mainstream.” Indie Exclusive Lemon Yellow 2 LP.
CD: $13.99 PREORDER
Five-time GRAMMY® award winning and multi-platinum selling icon, Shania Twain, announces her new album, Queen Of Me, out February 3, 2023 on
Republic Nashville, a division of Republic Records. Her sixth original full-length album, Queen Of Me, is the superstar's most triumphant-feeling body of
work; an album about standing in your own power and worshipping yourself. Its lead single “Waking Up Dreaming” was co-written and produced with
BTS hitmaker David Stewart. Indie Exclusive Signed CD.
Vinyl: $34.98 PREORDER
When the world came to a halt, Jim Ward couldn’t stop moving. He’d just released a reunion album, Trust the River, as the frontman of Sparta when the pandemic hit, and as tour dates dried up, Ward returned to the studio. A year later, he debuted his raucous solo record Daggers and now he’s offering up yet another Sparta album to the world.
The resulting collection of songs were entirely written on keys in what Ward considers an effort to stretch musical muscles he wouldn’t otherwise have had the expanse of time to indulge in. Boldly self-titled some 20-odd years into Sparta’s career, the album serves as a kind of reintroduction to the band, what Ward calls “a fresh slate.”
He recorded the song at Red Bull Studios in Santa Monica, where for the first time in his long career, Ward had a state of the art recording space to himself, and an engineer able to help him enact his vision. The rest of the album was self-produced at Ward’s El Paso studio, Crowded Heart.
“I feel like there are two sides of me,” says the Nashville-based singer-songwriter and guitar virtuoso known as Sunny War. “One of them is very self-destructive, and the other is trying to work with that other half to keep things balanced.” That’s the central conflict on her fourth album, the eclectic and innovative Anarchist Gospel, which documents a time when it looked like the self-destructive side might win out.
Extreme emotions can make that battle all the more perilous, yet from such trials Sunny has crafted a set of songs that draw on a range of ideas and styles, as though she’s marshaling all her forces to get her ideas across: ecstatic gospel, dusty country blues, thoughtful folk, rip-roaring rock and roll, even avant garde studio experiments. She melds them together into a powerful statement of survival, revealing a probing songwriter who indulges no comforting platitudes and a highly innovative guitarist who deploys spidery riffs throughout every song.
Because it promises not healing but resilience and perseverance, because it doesn’t take shit for granted, Anarchist Gospel holds up under such intense emotional pressure, acknowledging the pain of living while searching for something that lies just beyond ourselves, some sense of balance between the bad and the good.
Featuring: David Rawlings, Allison Russell, Jim James, Micah Nelson
"After the monumental success and critical acclaim of Cocoa Sugar, Mercury Prize winning Edinburgh trio Young Fathers will release their highly anticipated sixth studio album, Heavy Heavy. Made up of Alloysious Massaquoi, Graham ‘G’ Hastings and Kayus Bankole, Young Fathers have long been recognised as one of Britain’s most vital and distinguished bands - merging incendiary and thought provoking lyrics with cutting edge visuals and an undeniable propulsive live show. Written and recorded over the course of three years, Heavy Heavy is a tour de force from the trio. An unashamedly soulful and heartfelt album, where the drums set the scene throughout to transport the listener to a place of celebration and awakening.
Cocoa Sugar received huge press support from Entertainment Weekly, Pitchfork (7.3/10), NPR, Pop Matters (9/10 - “This album will resonate for years to come""), Under The Radar (8.5/10), Exclaim (9/10), Northern Transmissions (8/10), New York Times Magazine Music Issue, The Fader, Stereogum, Noisey, Hypebeast, Past and more. The band have had multiple sold out headline shows (Elsewhere in Brooklyn (The New Yorker praising the group’s “impressive ease"" and “versatility that can be heard in the pop harmonies and stomping rhythms that seem to glue their avant sounds together.”) and Moroccan Lounge in LA), support for LCD Soundsystem and Yeah Yeah Yeahs at Hollywood Bowl as well as a SXSW performance for the New York Times showcase, KEXP live session and performance on Jimmy Kimmel.
Prior to Cocoa Sugar, Young Fathers released the Mercury Prize winning album DEAD in 2014 followed by the seminal White Men Are Black Men Too in 2015. Before these albums the band released two now-legendary mixtapes Tape One in 2011 and Tape Two in 2013, the latter of which also won Scottish Album of the Year."
We’re celebrating the 30th anniversary of the debut album from legendary hip-hop collective The Pharcyde with this exclusive RSD Essential 2-LP set of Bizarre Ride II The Pharcyde, pressed on clear with yellow + purple splatter vinyl.
Originally released in 1992 through the iconic Delicious Vinyl, this RIAA Gold-certified album was featured as one of Rolling Stone’s 500 Greatest Albums of All Time.
This album features the singles “Passin’ Me By” “Ya Mama” and “Pack the Pipe”, and is a must-have for any West Coast hip-hop fan.
Vinyl: $124.98 Buy
Nimrod, Green Day’s fifth studio album, was originally released on October 14 1997. The Billboard Top 10 LP declared “Green Days best!” by Kerrang was driven by the hit singles “Hitchin’ A Ride”, “Redundant”, “Nice Guys Finish Last” and “Good Riddance (Time of Your Life)” the latter of which has sold 5 million copies in the US alone. The song was written as a spiteful ballad and has evolved into the soundtrack of everyone’s seminal life moments; even being featured in the Seinfeld series finale. The album has sold over 3 million copies in the US (triple platinum) and has been certified multi-platinum, platinum, or gold in several other countries, including the UK, Japan, Canada, Australia and Spain.
This 25th Anniversary Edition includes the original album, one disc of previously unreleased Nimrod demos, and a live set from Philadelphia recorded one month after Nimrod was released.
The 14 track demos disc includes two unreleased Green Day tracks (“You Irritate Me” and “Tre Polka”), plus a cover of the classic Elvis Costello song “Allison” (previously unreleased).
The live album was recorded at The Electric Factory in Philadelphia on November 14 1997. The 20-song set includes several songs from Nimrod, plus fan favorites from their previous albums and singles.
Indie Exclusive Blue Edition, comes w/exclusive flexi disc ft. cover of Yeah Yeah Yeahs Maps
There’s a line on Honey, the latest album from Nashville-via-NYC songwriter Samia, about Aspen Grove, a collection of 40,000 trees in the plains of North America, all connected by a single expansive root system. There’s no stronger metaphor for the audience the 25-year-old empathy engine has been generating since she began releasing music seven years ago. Her songs, her fans, her friends: one enormous, interconnected ecosystem. Honey, comprised of eleven new moments of catharsis, is by and for that organism. Set for release on January 23rd 2023 via Grand Jury Music, the album was recorded at North Carolina studio Betty’s –- owned and operated by Sylvan Esso’s Nick Sandborn and Amelia Meath, frequent touring partners of Samia’s. It was produced by Caleb Wright, part of the team that helmed Samia’s breakthrough 2020 debut The Baby, and a founding member of one of Samia’s favorite bands, The Happy Children. It features some of her nearest and dearest friends: Christian Lee Hutson, Briston Maroney, Jake Luppen, Raffaella. Its songs were surreptitiously road tested for her devotees while opening for Lucy Dacus, Courtney Barnett, and more. The end result is what Samia calls simply “a real community record.”
Vinyl: $22.98 Buy
After much enthusiasm that helped foster the band’s self-titled 2020 EP, My Kid Brother are branching out themselves. MAD HAPPY WEIRD SAD, recorded with producer Eric Palmquist (Thrice, Bad Suns, Mutemath), builds on their EP’s polished, hooky rock with heavier riffs ("Roots") and thicker grooves ("High Society"), colorful and quirky arrangements, lyrics that span stalker tales to unfiltered love songs, and choruses that punch with a newfound intensity ("Shoulders").
Vinyl: $25.98 Buy
Having started her professional career outside of her home of Zambia, Sampa The Great returned at the beginning of the pandemic to Africa. As Above, So Below is the result of this return to her roots, embracing the sounds and themes of her origins. Sampa has reconnected with a different side of herself, one closer to the younger artistry that was nourished growing up. Now, in an age of authenticity, meet a 360 Sampa, a higher version of herself. No mask on, or role to play.
Vinyl: $29.99 Buy
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.
Vinyl: $27.99 Buy
One can't speak of California's famed desert rock movement without mentioning the visionary producer/musician Chris Goss. The so-called Godfather of the Joshua Tree-centered scene, Goss has produced famed and acclaimed albums by groups like Queens Of The Stone Age, Foo Fighters, Kyuss, Screaming Trees, and numerous others. Before he was known as a renowned producer though, he was the singer/guitarist and only consistent member of one of the most influential-yet-forgotten hard rock groups of all time: Masters of Reality. Masters Of Reality (Whose name was appropriately taken from a Black Sabbath song) had the distinction of being the only group signed to two different hip-hop labels of historical note: Def Jam and Delicious Vinyl. Originally label mates with Public Enemy and Slayer, Masters Of Reality's self-titled debut album was released by Def American in 1988. Two years later, Delicious Vinyl founders Matt Dike and Mike Ross, huge Masters fans, bought the band's contract from Rick Rubin and re-released the album with new cover artwork to renewed acclaim and commercial success. So many years later, Masters Of Reality's debut still feels like a hard-hitting breath of fresh air in a modern landscape of over-produced rock music
Describing their first three albums as a trilogy that is now complete, Meath and Sanborn see No Rules Sandy as the beginning of a new period, with songs that are “wilder and stranger and more cathartic than the band used to be,” as Nick Sanborn puts it. “It feels like who we actually are,” Amelia Meath adds. “It just feels like us. We’re not trying to fit into the mold, just happily being our freak selves.”