Blues & Jazz
MP3 Album: $13.99 Download
After a serious car accident when she was 19, Melody Gardot used the experience as a springboard to musical success she might never have achieved otherwise. Gardot had played the piano before the accident, and a doctor suggested that she use music as a kind of recovery therapy. Since she couldn't sit comfortably at the piano, she picked up a guitar and now after several albums she is celebrating the international tour success of her career so far by brings us her first ever album of live recorded music. “Live In Europe” presents live versions of her greatest hits recorded at concerts worldwide between 2012 & 2016. An album personally curated by Melody herself, hits include Baby I’m A Fool, My One and Only Thrill, Les Etoiles & March For Mingus.
Vinyl: $38.98 Buy
CD: $11.98 Buy
Mississippi, particularly the Delta, lays claim to being the land where the blues began. Forged in the crucible of poverty and racial oppression, blues flourished there as nowhere else, evolving into what most critics consider the deepest or most intense strain of the blues tradition. During the Great Migration, music changed consistently, adapting to its new surroundings like St. Louis and Chicago, while retaining its connection to its down home Delta roots. This collection celebrates the diversity and dissemination of the blues’ most powerful and influential voices. 67 minutes, 40-page booklet with extensive notes and photos.
In Paris: The Definitive ORTF Recording captures jazz guitar legend Wes Montgomery on his only tour of Europe on the night of March 27, 1965 at the Théâtre des Champs-Élysées in Paris, France. The first official release of this legendary concert, In Paris is being released in partnership with the Institutnational de l'audiovisuel (INA) with remastered, high-resolution audio transferred directly from the original tape reels. The concert was organized by jazz producer and impresario Alan Bates to the great delight of European audiences who had long wanted to see Wes perform live, but his severe fear of flying had kept him in the states. Featuring an all-star band with pianist Harold Mabern, bassist Arthur Harper and drummer Jimmy Lovelace, with special guest tenor saxophonist Johnny Griffin, the deluxe 2CD set includes an extensive 32-page booklet with stunning archival photos taken at the concert from famed music photographer Jean-Pierre Leloir; essays from historian and director of operations in jazz studies at Rutgers University, Vincent Pelote, Resonance producer Zev Feldman and associate producer Pascal Rozat from INA; plus interviews with pianist Harold Mabern, renowned guitarist Russell Malone and more.
MP3 Album: $9.99 Download
Originally released on the Concord label, this masterful 1978 meeting of jazz guitar giants has quietly become one of the most collectible albums of its era. Herb Ellis and Remo Palmier (a.k.a Palmieri) were contemporaries in the red-hot NYC jazz scene of the ‘40s, but they arrived at this recording through very different routes. Ellis’ reputation steadily grew as he went from being a sideman in the Glen Gray and Jimmy Dorsey orchestras to being a mainstay in the Oscar Peterson Trio in the ‘50s, and later playing in a guitar trio with Barney Kessel and Charlie Byrd. Palmier, on the other hand, got his career off to a blazing start, playing with Coleman Hawkins before appearing on seminal bebop sides (e.g. “Groovin’ High”) with Charlie Parker and Dizzy Gillespie. But then, health issues intervened, and Palmier spent the next three decades or so working a staff job at CBS for The Arthur Godfrey Show. Finally, after the show was canceled, Palmier re-entered jazz circles but never really recorded much, which only makes Windflower that much more of a treasure. “Sublime” is the word that springs to our mind, but you can substitute your own superlative; backed by George Duvivier on bass and Ron Traxler on drums, Ellis and Palmier bring an organic sense of swing, beautifully-voiced chords, and lyrical lead lines to such fare as “The Night Has a Thousand Eyes,” “Groove Merchant,” and even “Danny Boy.” Produced by Concord label founder Carl Jefferson. First-ever reissue, emerald green vinyl!
BMG proudly release Gary Moore’s Blues and Beyond, a remarkable collection of his powerful and emotive blues studio recordings. Blues and Beyond is released on double CD, 4 LP and as a box set, which includes unreleased live recordings and the official Gary Moore biography I Can’t Wait Until Tomorrow written by Harry Shapiro. Best known for his evocative solo hits, Parisienne Walkways and Still Got the Blues (live versions feature in this set), and his on/off membership of Thin Lizzy, Gary Moore’s solo career comprises over twenty albums. Throughout the 1980s, Gary moved up the rock hierarchy, but turned his back on what he regarded as the empty flash of metal and reverted to his heart music – the blues – where ironically he scored his biggest commercial success through his 1990s and 2000s blues albums. As well as running his own bands, during a successful solo career, Gary mixed with the best that rock and blues could offer, playing live and on record with George Harrison, Jack Bruce, Ginger Baker, Greg Lake, BB King, Albert King, Albert Collins and many others. Gary was also the guitarist many looked up to, not just for the terrifying speed of his fretwork, but for the passion, fire and honesty in his playing.
The sessions that produced Out In The Open were brisk and instinctive, expansive yet intimate, visceral and immediate - and they would have had to be, for herein are songs that tell the big story by drawing the small ones. There is, to my ear, as much of Raymond Carver's literate and humane influence on display as the Osborne Brothers, as much Welty in the pointed details - both sublime and confounding - as Clark and Van Zandt. Compassion and determination act as connective tissue when, throughout this song cycle, the bones, muscle, and blood of daily life dance with loose-limbed motion toward the inevitable, guided by an ethos best articulated by Sam Beckett who directed that when we falter, we try again and ''fail better.''
While in the studio, the Rangers stood in a circle - facing each other and the music with a well-worn brotherhood that was as well open to all they could not imagine transpiring between them. The songs were written as a map, and their shared history a compass blade, but the road itself - the journey - was a moving target and, as with all relevant music, remains one. And the Steep Canyon Rangers are moving along with it. - Joe Henry
And now we have Goin' Platinum!, the newest effort from the soon-to-be legendary soul singer Robert Finley and his crack band of geniuses. From the lovelorn bombast of "If You Forget My Love" to the soul-stirring "Medicine Woman," and the home-on-the-road ripper "Empty Arms" to the yearning "Honey Let Me Stay the Night," all capped by the epic closer "Holy Wine," featuring Finley's ethereal falsetto, Finley's performance left Dan Auerbach speechless-as it will anyone who lays ears to it.
As for the album title, Dan Auerbach gives all credit to Finley and his huge but wholly considerate personality. "He was just beaming from the second he walked in the door," Auerbach says. "Every time he'd listen to playback, he'd say, ‘It's goin' platinum.' That was his catch phrase.
Doctor Ross, also known as "Doctor Ross the Harmonica Boss", made his reputation as a bluesman in Memphis before moving to Michigan. During the early '50s, Ross recorded his first sides, including "Chicago Breakdown”, with Sam Phillips at Sun Records. This compilation, Memphis Breakdown, compiles the best of those early Memphis sessions all in one place, remastered for vinyl.
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Sister Rosetta Tharpe was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as “the original soul sister” and “the godmother of rock and roll”. This live recording from 1960 had never been on vinyl, until now, a whole 57 years later.
The set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include “He’s Got the Whole World In His Hands,” “Didn’t It Rain,” “The Gospel Train” and “Down By the Riverside.” The album was remastered for vinyl from analog tape and pressed at Pallas Group in Germany.
Chinese Butterfly is a reunion of two musical titans, a creative partnership that dates back to the early days of Return To Forever with Chick Corea when Steve Gadd was one of the first drummers.
180g with download card.
Over the course of his astounding career, acclaimed singer-songwriter, Seal, has sold over 50 million albums globally. Now this iconic voice is tackling timeless songs with a collection of stunning versions of standards. Standards will release on November 10 and will include hit tracks “Luck Be A Lady” and “It Was A Very Good Year.”
Ockham's Blazer is a mysterious 7 piece nomad jazz group combining the talents of PremRock, Fresh Kils, Anthony Rinaldi, Guido Spannocchi & PRAQ!. Hailing from NYC, Toronto, London, and Vienna, the making of this project spanned the talents of 7 musicians across 4 countries and 2 continents. Singles include "Prison of Gold," "Dirtbell," and "The Overtaxed Heart's Club Band." Released via renowned independent hip-hop label Fake Four Inc., this album fits with the label's standard of pushing the boundaries of experimental hip-hop.
Rescued from the vaults: ‘Ella At Zardi's’ is the Verve Records' first live recording, and is being heard for the first time anywhere. The two sets from the evening, in front of a lively crowd, was captured February 2, 1956, a few days before Ella began recording Verve’s first album, ‘Ella Fitzgerald Sings The Cole Porter Song Book.’
Blue Note Records will release a new Deluxe Edition of Norah Jones’ acclaimed album Day Breaks. A 2-CD set and limited edition 2-LP 180g silver foil-cover vinyl.
The expanded track listing includes the addition of nine songs recorded live in New York City during Norah’s memorable album release shows at the Sheen Center’s Loreto Theater in October 2016. The live cuts include versions of songs from Day Breaks like “Flipside” and the Horace Silver ballad “Peace,” as well as fan favorites like “Don’t Know Why” and “Sunrise,” performed by Norah (voice, piano), Chris Thomas (bass), Brian Blade (drums), Pete Remm (Hammond B-3 organ), and background vocalists Tarriona ‘Tank’ Ball & Anjelika ‘Jelly’ Joseph of Tank and The Bangas (winners of NPR Music’s 2017 Tiny Desk Contest).
The Luckiest Man confirms Ronnie Earl’s status as one of the most soulful blues/soul/jazz guitarists working today. A three-time Blues Award winner as Guitarist Of The Year, Earl has worked with his band The Broadcasters for almost 30 years. This is his 25th release. This album is dedicated to the memory of long-time Broadcaster bass player Jim Mouradian. As Jim would say when he first met someone, “I’m the luckiest man you know — and I don’t even know who you know.” Playing with spellbinding intensity and soul, Earl has a legion of fans that await each new release.
2017 release from the blues singer, songwriter and guitarist. Fish recorded Belle of the West in the relaxed, rural creative atmosphere of the legendary Zebra Ranch Studios in the North Hills of Mississippi with producer Luther Dickinson (of North Mississippi Allstars fame), with whom she worked previously on her 2015 album Wild Heart. The studio team included some of the region's most iconoclastic musicians, including Dickinson, solo artist and Jack White associate Lillie Mae, much-traveled juke-joint blues artist Lightnin' Malcolm, Squirrel Nut Zippers founder Jimbo Mathus, upright bassist and beloved solo artist Amy LaVere, Tikyra Jackson, Trina Raimey and Shardé Thomas, granddaughter of the legendary Southern bluesman Otha Turner.
2017 release from the veteran blues outfit. Blues is not for the faint-hearted. Since the genre first drew breath, it's greatest practitioners have embraced the darkness, spinning tales of hardship and death, hellhounds and devilry. If the sleeve of Witchy Feelin' suggests that Kim Simmonds, too, has a tendency towards the macabre, then Savoy Brown's iconic leader is happy to confirm it. "Blues has always dealt with themes of the Devil, witchcraft and so forth, and I've always written along those lines. At least three of the songs on Witchy Feelin' have that hoodoo vibe..." Witchy Feelin' proves the Devil still has all the best tunes. From the thrillingly brittle guitar riff that opens Why Did You Hoodoo Me, we are in the hands of a master, with Simmonds reigniting the seismic vocals and searing fretwork that established Savoy Brown as linchpins of the '60s British blues boom. Recording alongside Pat Desalvo (bass), Garnet Grimm (drums) and engineer Ben Elliott, Simmonds leads us into a world of dark nights, wild weather, women and whiskey: all perennial themes given a modern twist by this ageless bluesman. "The songs on this album have been two years in the making," he reflects. "I tried to write songs that had a personal point of view yet can be relatable to everyone. On 'Vintage Man', I wrote about being the type of guy who doesn't change as he gets older. I wrote about the power of love on 'Why Did You Hoodoo Me'. And with 'Guitar Slinger', I wrote a song about seeing a great guitar player in an old country bar - as I did when I first saw Roy Buchanan in '69."
Sister Rosetta Tharpe was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as "the original soul sister" and "the godmother of rock and roll". This live recording from 1960 had never been on vinyl, until now, a whole 57 years later. The set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include "He's Got the Whole World In His Hands," "Didn't It Rain," "The Gospel Train" and "Down By the Riverside." The album was remastered for vinyl from analog tape and pressed at Pallas Group in Germany.
One of the South's finest vocalists, international recording artist Susan Marshall began her career Off-Broadway as a leading soprano in the Rep-Company Light Opera of Manhattan. Shortly after moving back to Memphis in 1990 she began fronting rock-soul band The Mother Station and was signed to a record deal with EastWest / Atlantic Records. In 1994 they released their debut album "Brand New Bag" which peaked at #34 on Billboard's Mainstream Rock charts.
Since then, Susan has released three critically praised solo albums - "Susan Marshall Is Honey Mouth", "Firefly" and "Little Red".
Susan has toured all over the world as part of the Afghan Whigs as well as with Cat Power & The Memphis Rhythm Band, which included appearances on Austin City Limits, The Late Show w/ David Letterman, Late Night with Conan O'Brian, and the BBC's Later...with Jools Holland.
Her new release on Madjack Records is titled "639 Madison". Recorded at world renowned Sam Phillips Recording Studio in Memphis, TN, the album includes Susan's interpretation of several classic songs including one new song written by Sam Phillips' son Jerry.
Duke Ellington and his Orchestra recorded multiple albums worth of material for this World Broadcasting Series between 1943 and 1945. The songs on this compilation include the best of two volumes which were originally released by Circle Records in 1985. All of the material was recorded on November 8 and 9 of 1943. The album was remastered and pressed on audiophile-grade vinyl at Pallas Group in Germany.
SUPERSONIC BLUES MACHINE will release their exciting new studio album CALIFORNISOUL on October 20, 2017. "CALIFORNISOUL! That’s exactly what it is. It's the missing soundtrack to a summertime drive from Los Angeles to San Francisco in 1971!" Fabrizio Grossi explains. The album picks up right where the band left off on their well-received debut record, 'West of Flushing, South of Frisco'. Californisoul is all about great songs. "Cry" is a soul searching, simmering piece of poetry and Lance Lopez preaches it in the most righteous way. "I Am Done Missing You" is another number that reaches down deep with a message that will resonate with both spurned lovers and those who have left their bad habits and way in the past. "This Is Love" could be the lovechild of Bob Marley and War with some stinging guitar action spread on top. Blues, rock, reggae, soul, it's all here in a joyous abundance and a celebration of life. That's the nature of Californisoul. Guests on the album include Billy Gibbons, Steve Lukather, Eric Gales and Walter Trout. Fabrizio adds, "Lots of people have been saying to me 'why does Supersonic Blues Machine always bring guests around? You guys can stand your own ground', and there are three answers to that: 1) we're all super friends and we're having a blast, 2) most of them don't give lessons and for us this is the only way to learn their secret "ways" and 3) because of the inspiration and the challenge they bring to the table!" Californisoul will be released on CD, double vinyl, digital and streaming services,.
Signs is not merely a return the Jonny's guitar-based beginnings, but an embodiment of an even more elemental sound. Beyond focusing attention on his soloing prowess, it is about recapturing the spirit of the early blues, where the guitar was front and center, fairly leaping out of the speakers. 'A lot of my earlier influences have been coming to the surface, like Robert Johnson, and Howlin' Wolf,' he reports. 'I have been appreciating how raw and unrefined that stuff is. I had an itch to emulate some of that and I think it shows in the songs. Still, I let the writing be what it was and that was sometimes not necessarily the blues.'
Rock Candy Funk Party are: Tal Bergman (producer/drums), Joe Bonamassa (guitar), Ron DeJesus (guitar), and Mike Merritt (bass). On The Groove Cubed, they have added two fabulous vocalists to the mix - Ty Taylor (Vintage Trouble) and Mahalia Barnes - which is a first for them. The new album delivers a lavish soundscape that incorporates a plethora of genres, from dance and electronica, to funk and jazz and everything in between. Their last album, Groove Is King, has sold 5K RTD. LP is 180g black vinyl, includes download card.
MP3 Album: $7.99 Download
The follow-up to last years Jazz Loves Disney, volume two features a collection of jazz and world artists taking on classic Disney songs. Produced by Jay Newland, arranged and directed by Rob Mousey, Jazz loves Disney 2 A Kind of Magic features jazz icons George Benson, Madeleine Peyroux, Laura Mvula, Jamie Cullum and more, performing songs like Be Our Guest, Under The Sea, Beauty & The Beast, and other Disney greats.
Ella Fitzgerald’s iconic vocals are given new life by marrying newly recorded string arrangements from the London Symphony Orchestra. Recorded at Abbey Road Studios, and conducted by James Morgan and Jorge Callandrelli, this new approach to Ella’s timeless music reinvigorates her catalog and is sure to excite and please long time Ella fanatics and classical music connoisseurs at the same time. Guest vocalist Gregory Porter also lends his incredible talent to "People Will Say We're in Love”.
"The Mugician" features collaborations with world-renowned artists including Gary Clark, Jr., Bilal, Big K.R.I.T., Pharoahe Monch, Guy Torry, Robert Glasper, Georgia Ann Muldrow, Darin Atwater, James Poyser. Don Cheadle wrote the liner notes for this album.
“There are many borders in our lives. Some are built by others, some we create for ourselves. Whenever I have ventured beyond the borders in my life, I have been the better for it. Beauty, humanity, artistry, joy, wisdom, and of course love…these things don’t stop at some line on a page. If music is the universal language, maybe there is something it can teach us?”…Jesse Cook Following on the heels of One World’s critical and commercial success, Jesse Cook is ready to launch his new album Beyond Borders. This is the most sonically diverse and distinctive disc in Jesse Cook’s vast and varied catalogue. This catalogue has earned Jesse 11 Juno nominations and one Juno win for 2000’s Free Fall. Beyond Borders is an in depth musical journey exploring the exotic boundaries of World Music.
Dee Dee Bridgewater has gone back to her beginning...Memphis, TN.
Born in the city known for its pivotal part in American culture, music and civil rights struggle, Bridgewater was part of an American legacy. After moving to Flint, Michigan, Bridgewater s childhood nights were spent tuning into Memphis WDIA, the first radio station in the nation featuring all-black programming. It was also the station where her father spun vinyl as the on-air disc jockey, Matt the Platter Cat.
This album is not only a return to Bridgewater s roots, but it offers ground-breaking re-imagining of American Blues and R&B classics with backing by the Stax Academy Choir, Kirk Whalum and recorded at Willie Mitchell s world-renowned Royal Studios. Co-Produced by Bridgewater and close friend Kirk Whalum (a Memphis native) the Memphis...Yes, I m Ready album features such crowd pleasers as Why? (Am I Treated So Bad) by the Staple Singers, I m Going Down Slow (Bobby Blue Bland) and Don t Be Cruel, among others.
In a career spanning four decades, 2017 NEA Jazz Master, three-time Grammy and Tony award winner, and UN Goodwill Ambassador Dee Dee Bridgewater is a pillar of the upper echelon of jazz artists.
MP3 Album: $7.99 Download
The Jazz at Lincoln Center Orchestra with Wynton Marsalis and special guests take you through 100 hundred years of jazz piano on Handful of Keys. Star pianists Joey Alexander, Dick Hyman, Myra Melford, Helen Sung, Isaiah J. Thompson, and the JLCO's own Dan Nimmer grab hold of all 88 keys and reveal the full extent of the piano's evolution over the 20th century.
Recorded on opening night of the 2016-17 Jazz at Lincoln Center season, Handful of Keys showcases a band in full stride, burning through electric arrangements of beloved compositions from James P. Johnson, Bill Evans, McCoy Tyner, and more. With guests ranging in age from 13-year-old prodigy Alexander (recently featured on '60 Minutes') to 89-year-old American treasure Hyman, Wynton Marsalis and the JLCO survey jazz piano's past and give the stage to several prodigies who are taking the instrument in bold new directions.
Vinyl: $75.98 PREORDER
Drummer, composer, and producer Tom Skinner who is the drummer for The Smile and Sons of Kemet releases his new album, Voices of Bishara, on November 4, 2022, via Brownswood / International Anthem / Nonesuch. The first recording under Skinner’s own name is a reference to an album he listened to repeatedly during the COVID-19 lockdown: cellist Abdul Wadud’s 1978 solo album By Myself, which was privately pressed on Wadud’s label, Bishara. The common Arabic name has the intention or meaning of “good news” or “the bringer of good news.” Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. These regular sessions had a simple format: play a classic album in full through the venue’s audiophile system and then have a live ensemble improvise a response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album, Life Time, and the music conjured that night inspired Skinner to write an album’s worth of new music. Skinner recorded an album of that music with a cellist, bass, and two saxophonists subsequently putting it aside, occasionally bringing it out for some attention in between his many other creative projects. Gradually, the record began to take shape as he embraced the studio recordings and accentuated their idiosyncrasies.
Guitarist Julian Lage discovers new possibilities with orchestration on the follow-up to his acclaimed 2021 Blue Note debut, Squintby, expanding his trio with bassist Jorge Roeder and drummer Dave King with the addition of fellow guitarist (and Blue Note labelmate) Bill Frisell. A View With A Room presents 10 compelling new original compositions by Lage that explore a wide range of guitar sounds and textures with these two distinctive masters seamlessly blending their unique 6-string styles.
“Orange And Blue” was first released in 1994 and is a remarkable testament of Al Di Meola’s unique sense of swing. The legendary guitarist recorded the album on the “Al Di Meola Jazz Guitar”, a custom hollow-body guitar designed in collaboration with Gibson, which allowed him a warmer tone to add to his established signature sound. The album itself is a tasteful collection of explorative compositions, with standout songs such as ‘Chilean Pipe Song’ further cementing Al Di Meola’s growth as a versatile writer and gifted guitarist.
Searching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the "Five Days of Jazz" series in Grenoble, France on March 23, 1978. Waldron was Billie Holiday's final accompanist, played with John Coltrane, Charles Mingus and Jackie McLean, and recorded dozens of solo albums before his passing in 2002. The beautifully designed, deluxe 2-CD set includes photos, an extensive 24-page booklet, essays and interviews.
Vinyl: $54.98 Buy
On September 15, 1957, John Coltrane went into Rudy Van Gelder's living room studio in Hackensack, New Jersey and recorded his first great masterpiece: Blue Train. It would be the legendary saxophonist's sole album as a leader for Blue Note, a locomotive five-track album fueled by the bluesy title track that featured a dynamic six-piece band with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. To mark the 65th anniversary of the album's recording, Blue Train will be released in two special editions as part of Blue Note's acclaimed Tone Poet Audiophile Vinyl Reissue Series: a 1-LP mono pressing of the original album and a 2-LP stereo pressing of Blue Train: The Complete Masters which includes a second disc of alternate and incomplete takes, four of which have never been released before, and none of which have been available previously on vinyl. The 2-LP set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.
Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in deluxe gatefold tip-on jackets.
- 180g Vinyl
- Double LP
- Second LP of Alternate & Incomplete Takes - First Time on Vinyl
- Four Previously Unreleased Tracks
- Bound Booklet - Session Photos by Francis Wolff & Essay by Coltrane Expert Ashley Kahn
- Tone Poet Audiophile Vinyl Reissue Series
- Mastered by Kevin Gray at Cohearent Audio
- Mastered from Original Analog Master Tapes
- Produced by Joe Harley
- Pressed at RTI
- Deluxe Gatefold Tip-On Jacket
- Tone Poet Audiophile Vinyl Reissue Series.
- Mastered by Kevin Gray at Cohearent Audio.
- Mastered Directly from the Original Analog Master Tapes!
- Pressed At RTI.
Philly Joe Jones
The members of the legendary original 1990s Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years for 2020’s RoundAgain; they return now with LongGone, featuring six original songs by Redman, due September 9, 2022 on Nonesuch Records.
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
This special 60th Anniversary reissue of groundbreaking jazz artist Sun Ra’s iconic 1962 album The Futuristic Sounds of Sun Ra features all-analog re-mastering by Kevin Gray at Cohearent Audio. The package includes Tom Wilson’s original liner notes, plus insightful new essays by jazz historian Ben Young, as well as by Irwin Chusid, who is also a journalist, radio personality, and author.
Four-time GRAMMY nominee, multi-platinum selling saxophonist Boney James’ new album Detour marks his 18th release as a leader. Following the success of his 2020 album Solid (#1 Billboard Contemporary Jazz Chart and #10 Billboard Top Albums), Boney’s new record showcases ten original tracks including “Coastin’” featuring iconic vocalist Lalah Hathaway. Also featured is trumpeter Dontae Winslow, known for his work with the West Coast Get Down.